Story-driven films, from network TV to the boardroom.
Every film I make starts with a real story: broadcast true crime for Discovery ID, documentary and series for Amazon and Wild TV, and brand films built the same way. A story draws people in and moves them where they need to go, without anyone feeling sold.
I have produced for others, but I own most of the films I released. As executive producer, I handled the negotiations and contracts, from airtime on Wild TV to distribution on Amazon Prime.
My showreel: brand films, documentary, and broadcast.
Brand films
Made to convert
EPI Construction5:38Branded documentary. The pre-meeting trust asset behind a doubled gross profit.Read the case study
Rockspring Capital3:44Private equity brand story and investor film, shot from Houston rooftops and the air.Read the case study
The Precision Riflesmith4:00Bryant Custom turnaround, shot in Wheeler, Texas, in the Panhandle. Over a million combined views, picked up by Amazon Prime.Read the case study
The Ranch at Camp Ka Hui 'Ana5:38Origin film for a 640-acre hunting ranch near Cotulla, south of San Antonio, now booked two years out.Read the case study
Documentary and broadcast
Amazon, Wild TV, and a Discovery ID directing credit
America's Rifleman: David Tubb9:34Bio documentary on the champion and innovator in long-range shooting, shot at Superior Shooting Supplies in Canadian, Texas, in the Panhandle. Released on Amazon Prime. Executive producer, director, cinematographer, editor.Read the case study
Minii Ayam: My Journey12:18A stalled expedition film reconstructed into a conservation documentary set in Mongolia. Released on Amazon Prime. Executive producer, director, narrative architect, post lead.Read the case study
Tink Nathan's Hunting AdventuresSeries openerA six-episode broadcast-ready series protecting a founder's legacy, shot in the Texas Hill Country near Kerrville. Distributed on Wild TV and Amazon Prime Video Direct. Executive producer, showrunner, director, writer.Read the case study
In Plain Sight, Discovery IDDirecting creditNot an Enter360 production. I produced and directed reenactment episodes within a fifty-episode season of the nationally distributed true-crime series, for Frantic Films and Investigation Discovery. Producer, line producer, field producer, director.
Feature screenplay
CORNERED
A feature-length horror screenplay developed through my studio, optioned by a production company and now, with the option expired, back in the writer's hands. Long-form story is where the craft gets tested, and it is why my four-minute brand films are built the way they are.
In Plain Sight, Discovery IDDirecting credit Not an Enter360 production. I produced and directed reenactment episodes within a fifty-episode season of the nationally distributed true-crime series, for Frantic Films and Investigation Discovery. Producer, line producer, field producer, director. 